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Strong dialogue
Some writers love writing dialogue while some hate it, in most cases I have found a writer’s feeling about it is directly proportional to how capable they are at using it.
Regardless of how you or they feel about it, dialogue (words spoken aloud) or internal/inner dialogue (words thought) are a vital part of prose writing. When done well they can propel a story along, add depth to characters, and provide information. However, when done badly, they can make a story stilted, clunky and unrealistic.
DIALOGUE TIPS
Avoid long diatribes Long paragraphs of any kind rarely work in everyday fiction, so avoid writing dialogue that has one person talking for half a page of dialogue.
Instead keep it short and realistic. If your character must talk for an extended time break it up with actions and pauses, perhaps even interjections from other characters or inner dialogue.
Language In today’s world we rarely speak the King’s English, it’s more like a mixture of slang, colloquialism and everyday chitchat. In most cases we use what are called contractions, which means we alter words like ‘did not’ to ‘didn’t’ and ‘will not’ to ‘won’t’.
In fact, the only times we usually hear people speaking without these contractions is if English is not their native language or if they are truly ‘old school’.
Slang, colloquialisms and cliches can be used when writing dialogue. When used in moderation they can help build the character of the person speaking. However be aware that using this kind a language can possibly date your work, and may make reading harder if you use it liberally.
Make it realistic Take some time to listen to everyday conversation around you. Become aware of phrasing, pauses, actions and everything else we do without thinking when conversing with others. To research this more consider listening to radio or audio plays
Read it aloud Always, always, always read dialogue aloud to see if it sounds authentic.
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